Blues & Jazz

Import 180-gram LP pressing. When the blues was no longer hip as it was in the '60s Stevie Ray Vaughan crashed the charts with his debut album 'Texas Flood' in 1983. Spending more than six months in the charts made Vaughan a true star and on his own he revitalized the blues experience again. On 'Texas Flood' Stevie Ray Vaughan celebrates his influences, pumps fresh blood into the familiar genre and made it a success... once again! The album kicks off with two well known songs 'Love Struck Baby' and 'Pride And Joy', after which he starts building to the climax of 'Dirt Pool' and 'I'm Crying'. The album concludes with a tribute to his wife 'Lenny'. Stevie Ray Vaughan's unique quality is that he's not an artist who just recorded albums in the blues genre trying to approach the standard. Instead he just simply joined in with all the '60s blues legends.

If the greatest blues musicians and rock stars in the world cherish, covet and collect this stuff, don't you want a piece of the action? If you're gonna own it, here's the way to get it, on double 180-gram import vinyl. These 1936-37 recordings from THE iconic Delta bluesman still retain all their mysterious power: "Crossroads Blues," "Terraplane Blues," "Come On in My Kitchen," "Walking Blues," "Love in Vain Blues," "Traveling Riverside Blues," "Rambling on My Mind," "Hellhound on My Trail," "Sweet Home Chicago," "I Believe I'll Dust My Broom," "Stop Breakin' Down Blues," "They're Red Hot" and more including alternate takes! DOL.

Includes 4 bonus tracks! This quintessential collector's edition contains Howlin' Wolf's outstanding debut album for Chess Records, Moanin' in the Moonlight (1959) - one of the all-time cornerstones of the genre. It features several of his early hits ("How Many More Years," "Moanin' at Midnight," "Smokestack Lightning," "Forty Four," "Evil," and "I Asked for Water [She Gave Me Gasoline]"). We have also included 4 bonus tracks (highlights from Wolf's musically prolific period between 1951 and 1960), which together with this remastered gem constitute the definitive edition of this blues masterpiece.

In celebration of the label's 40th Anniversary, Alligator Records is releasing this classic catalog title on 180 gram vinyl! It's the label's legendary first release from 1971, a raucous, joyous dose of Chicago slide blues that has influenced everyone from George Thorogood to Gov't Mule to Jon Spencer. Re-mastered with bonus track "Look on Yonder's Wall," this title has been out of print on vinyl for 20 years. Nearly 95,000 units sold in the U.S.

HIGH-DEFINITION PREMIUM VINYL PRESSING FOR SUPER FIDELITY INCLUDES 2 BONUS TRACKS! This essential LP edition presents one of Hopkins' finest albums, "Mojo Hand", which was originally issued in 1962 on Bobby Robinson's label, Fire Records. (The LP would be retitled Lightnin' Hopkins just two years later for the Sphere Sounds imprint re-release, featuring a different cover-sleeve.) Mojo Hand is widely regarded as one of the true masterpieces from Hopkins' catalog. The material ranges from classic blues to R&B-flavored numbers. There's even a charming novelty Christmas blues, titled "Santa." These are moody and powerful performances. Despite the variety, the album is remarkably cohesive because Hopkins' amalgamation of styles can be heard within each song.

On Halloween night, this pumpkin-shaped orange LP will rise from sincere vinyl collections the world over and bring audible presents to all the good girls and boys. Previously thought lost to time: this album contains the original analog session reels for It’s The Great Pumpkin, Charlie Brown. This 33 1/3 rpm version of the soundtrack are the cues as recorded by Vince and crew before edited for the television special, as well as a selection of alternate takes. Includes new expanded liner notes.

That’s What Happened 1982-1985: Bootleg Volume 7 is the next installment in the celebrated, award-winning archival series that began in 2011, shining an in-depth light onto different eras of the legendary career of Miles Davis. In the 1980s, popular music had moved to a smoother, electronic-based sound that traded the steam of previous years for subdued arrangements meant to elicit peace and deep reflection. Miles Davis embraced this era, pulling inspiration from FM radio and an upstart music video channel called MTV. He was searching for the next frontier, letting his creativity roam. This music on The Bootleg Series Vol. 7 captures that exploration, and finds Miles beginning to re-emerge in a creative landscape far different than the one he left in 1975. He’s touched every inch of pop culture while keeping true to his iconoclastic vision of jazz as amorphous art that’s supposed to bend and flow and mutate to something else. On The Bootleg Series Vol. 7, we get to play in the rubble of what would become yet another period of unprecedented innovation. Beauty resides in evolution. This double LP collects highlights of Bootleg Volume 7 with over 80 minutes of unreleased studio material from 1982 to 1985 on white vinyl. Side men include a multi-generational who’s who of jazz talent from JJ Johnson, Al Foster and John Scofield to Mike Stern, Marcus Miller and Daryl Jones.

A lifelong fan of Doc Severinsen, trumpeter Steve Patrick steps into the spotlight, leading an all-star big band orchestra on such classics as "Stardust," "Stompin' at The Savoy," and "Unforgettable." A graduate of Indiana University's acclaimed jazz studies program, he has appeared on over 4,000 recordings including those of Carrie Underwood, Marc Broussard, Elton John, Norah Jones, and many more. His live performances include stints with Paul Simon, Aretha Franklin, Larry Carlton, and others.

For more than 6 decades, saxophonist and composer Charles Lloyd has been a free spirit, master musician, and visionary. At 84, he remains as prolific as ever. Early on, Lloyd saw how placing the improvised solo in interesting contexts could provoke greater freedom and creativity. That vision is evident on his Trio of Trios project, which encompasses 3 albums in different trio settings. The first, Trios: Chapel, features guitarist Bill Frisell and bassist Thomas Morgan.

On March 15, 2018, legendary saxophonist, composer and jazz mystic Charles Lloyd celebrated his 80th birthday at The Lobero - his hometown venue in Santa Barbara, CA. He was joined by an unprecedented group of musicians including guitarist Julian Lage, pianist Gerald Clayton, bassist Reuben Rogers, and drummer Eric Harland. 2 LP set with 28-page 12 x 12" book.

Ella Fitzgerald's "Songbook" records - with her peerless renditions of the best songs from iconic composers from Irving Berlin to Rogers & Hart to Cole Porter to George & Ira Gershwin - are the cornerstone of the Verve catalog and the standard for jazz vocal recordings. Ella never released a live version of these Songbooks. This record, discovered in the private collection of Norman Granz, will make the first time a live Songbook has been released from the First Lady of Song.

Even though Duke Ellington and Coleman Hawkins had both been well-known jazzmen since the early 1920s, it wasn't until 1962 - at least 20 years after Duke first suggested it - that these two recorded their only session together. High points include an exuberant "The Jeep Is Jumpin'," an interesting remake of "Mood Indigo," and a few new Ellington pieces. Verve Acoustic Sounds Series features transfers from analog tapes and remastered on 180-gram vinyl in deluxe gatefold packaging.

180 gram. High Definition Premium Vinyl Pressing For Super Fidelity. Direct Metal Mastering. This edition presents a who's who of the Chicago blues from the 1960s. Featured here are such talents as Muddy Waters, Buddy Guy, Howlin' Wolf, Sonny Boy Williamson II, and Willie Dixon, performing at the peak of their careers. This WPOA live radio broadcast was emceed in the early 1960s by local disc jockey Big Bill Hill at Chicago's intimate Copacabana Club. (When the album was reissued in 1967, it was retitled Blues from Big Bill's Copacabana.)

I've been playing since I was 11 years old," says Charlie Gabriel, the most senior member of the legendary Preservation Hall Band, "I never did anything in my life but play music. I've been blessed with that gift that God gave me, and I've tried to nurse it the best way I knew how." While he's faced plenty of challenges nursing that gift for more than 78 years, none likely rank with last winter's passing of his brother and last living sibling, Leonard, lost to COVID-19. For the first time ever, Gabriel put down his horn, filling his days and weeks instead with dark reflection, a stubborn despondency broken now and then by regular chess matches in the studio kitchen of Hall leader Ben Jaffe, working overtime to bring his friend some light. One such afternoon also included Joshua Starkman, sitting off in a corner playing his guitar and half-watching the chess from a distance. When Charlie returned the next day, he brought his saxophone. "I was just inspired to try it, to play again. It had been a long time, and a guitar makes me feel free. I do love the sound of a piano, but it takes up a lot of a space, keeps me kind of boxed in." That day was to be the first session for Eighty Nine, almost entirely the work of Gabriel, Jaffe and Starkman, recorded mostly right there, in the kitchen, by Matt Aguiluz. Charlie Gabriel's first professional gig dates to 1943, sitting in for his father in New Orleans' Eureka Brass Band. As a teenager living in Detroit, Charlie played with Lionel Hampton, whose band then included a young Charles Mingus, later spending nine years with a group led by Cab Calloway drummer J.C. Heard. While he's also fronted a bebop quintet, played and/or toured with Ella Fitzgerald, Tony Bennet, Aretha Franklin and many more, this is the first time his name appears on the front of a record, as a bandleader. Since 2006, Gabriel has been a member of the Preservation Hall Jazz Band, featuring prominently on That's It, So It Is, and Tuba to Cuba. Eighty Nine was different, and not simply due to a smaller ensemble. "We had no particular plan, or any particular insight on what we were gonna do. But we were enjoying what we were doing, jamming, having a musical conversation," Charlie says, further musing, "Musical conversations cancel out complications." Eighty Nine includes six standards and three newer pieces on which Gabriel is a writer: "Yellow Moon," "The Darker It Gets" and "I Get Jealous." The record also marks Charlie's return to his first instrument, clarinet, on many of the tracks. "The clarinet is the mother of the saxophone," he says. "I started playing clarinet early in life, and this [taught me] the saxophone." Finally, Eighty Nine includes three tracks of Charlie singing. "I always sung, but it wasn't my forte to become a singer," he says. "The truth is, people often develop a real relationship with a song once they hear the words. Sometimes I enjoy singing them.

Limited 180 gram audiophile vinyl LP pressing. Taj Mahal is the 1968 debut album by the American blues artist. Mahal often incorporates elements of world music into his works, and therefore has done much to reshape the definition and scope of blues music over the course of his almost 50-year career by fusing it with non-traditional forms, including sounds from the Caribbean, Africa and the South Pacific. The result shows in tracks like Sleepy John Estes' 'Diving Duck Blues' with textures resembling the mix on the early Cream albums, while 'The Celebrated Walkin' Blues' has the sound of a late release by Muddy Waters. Blind Willie McTell's 'Statesboro Blues' and Robert Johnson's 'Dust My Broom' are also represented.

For decades, the voice of Jean Carne has been a crucial part of the American musical landscape, tying together generations of Jazz, Gospel, and R&B artists. As a solo artist, backing vocalist, and vocal coach, she has contributed to and collaborated with the likes of Norman Connors, Doug Carn, Dexter Wansel, Phyllis Hyman, Lonnie Liston Smith, Michael Jackson, and many more. At 74, she shows no signs of slowing down. Many will recognize Carne from her output in the early 1970s, alongside her then-husband Doug Carn, for the lauded Black Jazz label. During this era of afrocentric creativity, the duo's output found themselves at the nexus of jazz's tectonic past decade and the fertile ground ahead. Without the constraints of genre or structure, artists such as Carne, on her Black Jazz output as well as on the saxophonist Azar Lawrence's 'Bridge Into The New Age' and percussionist Mtume's 'Rebirth Cycle', began to explore and re-interpolate, continuing the tradition of jazz music as a mode of reinvention, repurposing, and reimagining.

Norah Jones’ seminal debut album, Come Away With Me, became a global phenomenon reaching #1 in 20 countries, selling nearly 30 million copies, and sweeping the 2003 GRAMMY Awards with 8 wins including Album of the Year, Record of the Year, Song of the Year, and Best New Artist. The remastered 20th Anniversary Edition captures the emergence of a singular talent on this now-classic album.

New vinyl reissue remastered from the original 1959 master tapes, packaged in classic Folkways-style tip-on jackets with original liner notes. Texas bluesman Samuel “Lightnin’” Hopkins’ musical career was reignited by this 1959 release. With the aid of a little gin and a borrowed acoustic guitar, musicologist Sam Charters recorded Hopkins in his tiny apartment in Houston, Texas. The result is nine tracks of pure country blues and Hopkins’ reminiscences of his time performing with Blind Lemon Jefferson. The vinyl reissue of Lightnin’ Hopkins features superbly remastered sound and includes liner notes written by Sam Charters. This reissue is part of Folkways Records’ 70th anniversary celebration series, revisiting some of the most iconic and influential albums released on the record label.

The greatest bassist leader jazz has ever known, Charles Mingus, with his spirited playing and spontaneity, always kept his ears and fingers on the pulse. “Mingus was something else, man,” Miles Davis wrote in his own book. “A pure genius, I loved him.”-This year marks the birth centenary of Charles Mingus, whose musical legacy is still ongoing. From artists like Kamasi Washington bringing him to a new generation, Chrissie Hynde, whose latest album includes a Mingus cover, Candace Springs, Elvis Costello, to Gang Starr sampling him, and Joni Mitchell writing lyrics to his music. -Originally released in 1957 on the Jubilee label, Mingus Three is one of only two albums led by Mingus in a trio setting, featuring pianist Hampton Hawes and drummer Dannie Richmond. This remastered release includes a whole extra disc of previously unreleased outtakes, discovered by chance, from these sessions, as well as liner notes by Charles Mingus’ friend and colleague Sy Johnson.

In May of 1957, Art Blakey and his Jazz Messengers went into the studio with Thelonious Monk to record a one-off album for Atlantic. The Jazz Messengers were a loose collective of young Jazz musicians, with a constantly rotating lineup to keep the music fresh and help launch new careers. In this iteration we find Art Blakey on drums, Thelonious Monk on piano, Johnny Griffin on tenor saxophone, Bill Hardman on trumpet and Spanky DeBrest on bass. -Blakey had recorded with Monk on various occasions, but this was the first time Monk sat in with the Jazz Messengers. This also marks Thelonious Monk’s only appearance on Atlantic Records. The result is a true meeting of the minds, a beautiful union of Monk’s melodies with Blakey’s unshakable sense of swing. This 65thAnniversary deluxe edition includes an extra disc ofunreleased outtakes, celebrating the most sensational jazz collaboration of the 1950s.

Gerald Wilson's 1962 album, Moment of Truth, features his dynamic big band on an action-packed 9-song set (7 of which were composed by Wilson) with highlights including the swaggering blues of the title track, the irrepressible Latin groove of "Viva Tirado," and a fleet-footed version of Miles Davis's "Milestones." Blue Note Tone Poet Series features all-analog, remastered 180-gram vinyl in deluxe gatefold packaging.

Released as part of the Acoustic Sounds Series celebrating 70 years of Contemporary Records, Saxophonist Art Pepper's first album "Meets The Rhythm Section" features Pepper's legendary sessions with the East Coast rhythm section for Miles Davis's quintet. Originally released in 1957 and recorded by legendary engineer Roy DuNann this new edition features ALL-ANALOG mastering from the original analog tapes by Bernie Grundman. It is pressed on 180-gram vinyl at QRP and presented in a tip-on jacket.