PREORDER UPCOMING RELEASES

Scheduled for release in April 2022, the 10-song sophomore full-length album showcases Kirke’s unselfconscious, country-twinged vocals alongside a brightly colored candy shop of glam-twang guitar riffs, department store tv commercial synth stylings, and swooping, lilting, unabashedly feminine background vocals. Lady For Sale channels a high-spirited insouciance that feels invigorating and familiar, decidedly more easy-going and fun-loving than what we’ve come to expect from its genre (and the world in general) in recent years. This is a party you’ll want to attend.

Like pausing a VHS tape, music freezes the frenetic motion of daily existence. Even if just for an instant, it calms the feedback loop of routine, engages respite, and provides perspective. Siphoning guitar transmissions and a dynamic vocal push-and-pull through a lens of cinematic production, Lo Moon deftly balance expansive soundscapes and eloquent songcraft. The Los Angeles based quartet—Matt Lowell, Crisanta Baker, Sam Stewart and Sterling Laws - ultimately use music to make sense of each day on their sophomore offering, A Modern Life [Strngr Recordings/Thirty Tigers].

“It’s about survival’’ observes Matt. “Navigating through all that’s thrown at us. Maintaining who we are and where we want to be. Music itself has been so powerful for us in our own survival, it can change everything in an instant. As a band, we’ve got a lot of reverence for it and strive for it. We don’t take it for granted.”

They never have either…

In 2016, Lo Moon materialized as a fan and critical favorite with the buzzing “Loveless.” It paved the way for their 2018 self-titled full-length, Lo Moon, which NPR hailed as ‘’shimmering, immersive and otherworldly. As intimate as it is anthemic’’. Meanwhile, Variety attested, “It possesses a rare balance of pop-inflected songwriting and dense atmospherics that hold each other in check rather than clashing.” Beyond acclaim from The New York Times, NPR, Los Angeles Times, The Sunday Times, NME, Noisey and more, Billboard named them among “10 Rock & Alternative Artists to Watch.” Between amassing over 50 million streams, the band performed alongside The War On Drugs, Glass Animals, Phoenix, and Air in addition to gracing the bills of Governors Ball, Lollapalooza, SXSW, All Points East and more. The group also made their late-night television debut on Jimmy Kimmel LIVE! followed by The Late Late Show With James Corden.

Following a tour with CHVRCHES, the musicians entered the studio with producer Yves Rothman (Yves Tumor, Miya Folick) to record what would become the next body of work. Various elements fell into place as they also officially added Sterling to the fold in the studio. Their old friend Chris Walla (Death Cab For Cutie), who co-produced their debut, eventually joined them for some of the finishing touches.

In the end, Lo Moon might just inspire you to enjoy A Modern Life a little more.

‘’The journey of making a record is always winding, every artist will tell you that. We found that all we needed was the connection to each other and the commitment to believe in the music and emotion in the four of us. Great art has the ability to transform, and transport and we know how powerful that can be. We hope this record does that for you and can’t wait to play it live. That will be the moment this journey feels truly complete.’’ says Matt. 

Acclaimed singer, songwriter and musician Molly Tuttle will release her anticipated Nonesuch Records debut, Crooked Tree, April 1 (on CD and digital. LP will be May 13) with her new bluegrass collective Golden Highway.

Recorded live at Nashville’s Oceanway Studios, Crooked Tree was produced by Tuttle and Jerry Douglas and features collaborations with Sierra Hull, Old Crow Medicine Show, Margo Price, Billy Strings, Dan Tyminski and Gillian Welch. The album explores Tuttle’s love of bluegrass, which she discovered through her father, a music teacher and multi-instrumentalist, and her grandfather, a banjo player. Across these thirteen tracks, all of which were written/co-written by Tuttle, she honors the bluegrass tradition while also pushing the genre in new directions.  

“I always knew I wanted to make a bluegrass record someday,” Tuttle says. “Once I started writing, everything flowed so easily: sometimes I’ve felt an internal pressure to come up with a sound no one’s heard before, but this time my intention was just to make an album that reflected the music that’s been passed down through generations in my family. I found a way to do that while writing songs that feel true to who I am, and it really helped me to grow as a songwriter.”

In celebration of the new music, Tuttle and Golden Highway—Bronwyn Keith-Hynes (fiddle), Dominick Leslie (mandolin), Shelby Means (bass) and Kyle Tuttle (banjo)—will embark on an extensive headline tour beginning tonight with shows at Seattle’s Tractor Tavern (two nights), Portland’s Mississippi Studios (two nights), Los Angeles’ Roxy, Salt Lake City’s State Room, Boulder’s Fox Theatre, Asheville’s The Grey Eagle and Nashville’s Station Inn, among several others. Full details can be found at mollytuttlemusic.com/tour.   

In addition to Tuttle (vocals, guitars), Douglas (dobro), Keith-Hynes (fiddle) and Leslie (mandolin), Crooked Tree also features musicians Darol Anger (fiddle), Ron Block (banjo), Mike Bub (upright bass), Jason Carter (fiddle), Viktor Krauss (upright bass), Todd Phillips (upright bass) and Christian Sedelmyer (fiddle) with additional harmony vocals from Tina Adair, Lindsay Lou and Melody Walker.

2022 release. Dawn FM is the fifth studio album by Canadian singer-songwriter The Weeknd. The album is narrated by Jim Carrey, and features guest appearances from Tyler, the Creator and Lil Wayne. The production was handled by The Weeknd himself alongside Oneohtrix Point Never-who produced the majority of the tracks-as well as Max Martin, Oscar Holter, Calvin Harris, and Swedish House Mafia, among others. The album serves as a follow-up to The Weeknd's fourth studio album, After Hours (2020). EXPLICIT

Bad Suns sound - dreamy '80s pastiche flanked by Stratocasters through cranked Vox amps, pulsing synths, and palpable rhythmic energy - that endeared listeners to the band in the first place, and their fourth LP, APOCALYPSE WHENEVER, uses that musical foundation as the jumping-off point for their next evolution. Conceived as "the soundtrack to a movie that doesn't yet exist," the 13-track album, helmed by longtime producer Eric Palmquist (MUTEMATH, Thrice) at his Palmquist Studios and the band's North Hollywood rehearsal spot, is more conceptually rigorous than anything they've ever attempted - but no less compelling or accessible. "We also knew we wanted the album to have a through-line, a story from beginning to end," frontman Christo Bowman explains, so the band did what any good directors would: They assembled a mood board, filtering their neo-noir version of Los Angeles through the dreamlike haziness of author Haruki Murakami, the futuristic flair of Terminator 2: Judgment Day and Blade Runner, and the lifted cinematography of Spike Jonze's HER. These disparate influences don't just offer APOCALYPSE WHENEVER an expanded palette of sonic choices to color Bad Sun's airtight hooks - they help give the songs an emotional complexity that works on a multitude of levels depending on how listeners choose to receive them.

Eels have had one of the most consistently acclaimed careers in music. The ever-changing project of principal singer/songwriter E (Mark Oliver Everett), Eels have released thirteen studio albums since their 1996 debut, Beautiful Freak. During the height of the pandemic lockdown in early 2021, E got an out of the blue message from Mark Romanek, director of the first Eels video, "Novocaine For the Soul". It triggered him to reach out to John Parish, who was in between numerous projects and immediately got to work in his HonorSound studio in Bristol and began sending ideas to E. "I'd sneak out of bed at 4 in the morning to hear the latest thing John had sent, and try to add my part to it and get it back to him quickly before my 4 year old son woke up," E says. The resulting album is Extreme Witchcraft.

A fever dream in sonic form, The Alien Coast is the first album St. Paul & The Broken Bones recorded in their hometown of Birmingham. Produced by Matt Ross-Spang (Drive-By Truckers, Margo Price) - the bands fourth full-length is a dizzying convergence of rock & roll and R&B, psychedelia and stoner metal, gospel and jazz-funk. At turns explosive, elegant, and thrillingly unhinged - it makes for a majestic backdrop to the groups visceral exploration of the strangest dimensions of the human psyche.

A brand new album of brand-new songs from the No. 1 R&B Group of All Time, The Temptations. Features tracks written and produced by Narada Michael Walden, the young hip-hop producer K. Sparks, longtime group member Ron Tyson, founding member Otis Williams, and the equally legendary Smokey Robinson, whose classic songs launched the group’s original hit streak. The new album release will coincide with Otis Williams’s 80^thbirthday, and the Broadway return (and road show edition) of the hit musical, Ain’t Too Proud: The Life and Times of The Temptations.

Cast your mind back to notable landmarks of 1992. Outside the Twin Cities, Mall of America opened to the public. Frank Gehry’s enormous golden fish sculpture, El Peix, welcomed Barcelona Olympians. And The House of Tomorrow, a four-song 7-inch on a small indie label, ushered in a new era for the Magnetic Fields.  Never before released as a 12-inch, this 30th anniversary remastered edition includes the additional track "Alien Being" plus a vinyl etching on side B. 

For the past 20 years, Jason Boland & the Stragglers have dazzled audiences all over as one of the leading ambassadors of the Oklahoma and Texas music movement. Millions of fans cheering him on, over 500,000 records sold independently and 10 albums later, Boland is a career musician whose legacy continues to grow. From his early days touring in cramped vans and playing in front of tiny bar crowds to the packed venues he performs in today, Boland’s uncompromising approach has grown his profile dramatically, especially in the past handful of years. Add to that the legions of musicians who are influenced by Boland, and his impact on the scene is undeniable.

Prior to the pandemic, Boland was hard at work on his most ambitious project yet. The groundwork he laid in 2019 saw the singer-songwriter roll through songs that would be a bold step forward. Strumming through the material with the Stragglers at a rehearsal in Colorado, Boland knew he had something big. However, that session took place a day before the lockdown and put the kibosh on the project for a year.
 
In early 2021, the time felt right to get the project rolling again. At a time when pandemic albums are popping up left and right, Boland zigged when everyone else zagged. Titled The Light Saw Me, the acclaimed singer-songwriter decided to go deeper than he’s ever gone before to create a multi-layered sci-fi concept album. Once again teaming up with his frequent co-conspirator, Grammy-winning producer Shooter Jennings, Boland hunkered down in a Los Angeles-area studio to bring The Light Saw Me to life.
 
On the surface, The Light Saw Me traces a cowboy living in Texas in the 1890s who is abducted by aliens and ends up in Texas in the 1990s, but there’s way more to it. Packed into three distinctive interlocking parts, The Light Saw Me is layered with vivid imagery that touches on old legends (such as a spacecraft allegedly crashing in Aurora, Texas), conspiracies, and other accounts that run contrary to reality.

Hidden behind the grandeur of the storyline, the message that Boland aims to share is a universal one: Everyone and everything is connected by love. In classic Boland fashion, The Light Saw Me tackles stories and themes that are integral to his writing beyond his world-class use of metaphors, like who we are, where we’re going, and whether love is something that people feel internally or just connected to consciousness and humans’ fear of their own mortality.
 
For most of his career, the only thing you could expect from Boland is to do the unexpected. On what’s now his 10th studio album, he not only does that, but he did it in his own organic and authentic way. He’s making the music he wants while continuing to please the people who want to hear where his artistic journey takes him next. With a catalog like his, that’s no easy feat.

Following the eclectic charm and intimacy of 1970's solo McCartney and 1971's homespun lo-fi indie-pop progenitor RAM credited to Paul and Linda McCartney, Wild Life found Paul once again redefining his post-Beatles creative identity, this time beginning his tenure as a founding member of Wings. A rollicking left turn from its predecessors, Wild Life was recorded in barely more than a week, with more than half of the songs captured in a single take. The end result would be eight songs running the gamut from joyous freewheeling jams to proto-chamber pop to spare introspective musings — all bristling with a raw, jagged energy akin to the grungiest of garage bands—whether on the careening blues-rock rave-up of opener "Mumbo," a reggae-tinged reimagining of Mickey & Sylvia's "Love Is Strange," or the plaintive and heart wrenching ballad "Dear Friend."

‘Requiem’ follows Korn’s critically acclaimed 2019 release, ‘The Nothing’. Korn changed the world with the release of their self-titled debut album. It was a record that would pioneer a genre, while the band’s enduring success points to a larger cultural moment. The band have continued to push the limits of the rock, alternative and metal genres, while remaining a pillar of influence for legions of fans and generations of artists around the globe.

Exclusive to Indie Retailers. Give Me The Future, Bastille's wildly-ambitious new album, is a tribute to tech times and a glimpse of what could be to come. Exploring both the opportunities of new technology and the dark side of lives lived online, it's as playful as it is thought-provoking, as dystopian as it is dancefloor-friendly and as electronic as Bastille have ever been. Executive produced by Ryan Tedder, Give Me The Future by Bastille will release on February 4, 2022. The following Bastille album will be released on 2/04/2022. The color of this vinyl is YELLOW.

Black Country, New Road will release the second album, 'Ants From Up There' on February 4th via Ninja Tune. Following on almost exactly a year to the day from the release of their acclaimed debut 'For the first time', the band have harnessed the momentum from that record and run full pelt into their second, with 'Ants From Up There' managing to strike a skilful balance between feeling like a bold stylistic overhaul of what came before, as well as a natural progression. Their debut 'For the first time' is a certain 2021 Album of the Year, having received ecstatic reviews from publications including as NPR, Stereogum, Pitchfork, The FADER, CRACK, Uncut, The Quietus, Loud & Quiet, The Face, Paste, The Needle Drop, DIY, NME, CLASH and fans alike, as well as recently being shortlisted for the UK's prestigious Mercury Music Prize. The album made a significant dent on the UK Albums Chart where it landed at #4 in its first week, as well as breaking into multiple Billboard Charts including Top Album Sales (#50), Current Album Sales (#26), Tastemaker Albums (#4), Heatseeker Albums (#15) and Emerging Artists (#22). 'For the first time' melded klezmer, post-rock, indie and an often intense spoken word delivery. On 'Ants From Up There' they have expanded on this unique concoction to create a singular sonic middle ground that traverses classical minimalism, indie-folk, pop, alt rock and a distinct tone that is already unique to the band.

Time Skiffs’ nine songs are love letters, distress signals, en plein air observations, and relaxation hymns, the collected transmissions of four people who have grown into relationships and parenthood and adult worry. But they are rendered with Animal Collective’s singular sense of exploratory wonder. Harmonies so rich you want to skydive through their shared air, textures so fascinating you want to decode their sorcery, rhythms so intricate you want to untangle their sources. Here is Animal Collective's past two decades, still in search of what’s next.

Earthling, the new album from Eddie Vedder, includes the tracks "Long Way," "The Haves," and more. It was produced by Andrew Watt and features special guest artists.

Timed to coincide with the 50th anniversary of the landmark film's release, this new 180g LP version of the soundtrack combines nine Cat Stevens originals as well as - for the first time - additional dialogue and instrumental music from the film plus unheard audio masters for "Don't Be Shy" and "If You Want To Sing Out, Sing Out." All audio has been remastered at Abbey Road Studios. This new edition features enhanced packaging - liner notes, lyrics, transcription of movie dialogue, and photos.

“I was born in the North Carolina mud,” says Jamil Rashad, better known as Boulevards, one of the most idiosyncratic artists making music in the Tarheel State. His fourth album, Electric Cowboy: Born in Carolina Mud, is caked in the soil where he grew up, mired in the muck of this place—not stuck but freed. Grounded in personal experience and haunted by personal demons, Electric Cowboy is an album that reaches out, that embraces the world, that mixes the confessional and the communal. But the dominant sound—the dominant mindset—is funk: gritty, warm, weird, charismatic. Rashad once again composed and recorded with Blake Rhein, guitarist for Durand Jones & the Indications, after they had worked so well together on 2020’s Brother! EP. They corralled an all-star team that included Adrian Quesada from the Grammy-nominated neo-soul act Black Pumas and Colin Croom from the Chicago indie-rock outfit Twin Peaks.

“On Electric Cowboy I wanted to make some modern funk that the kids would enjoy, but still have some soul elements and some punk elements. On the cover you see a black man on a horse running away from his demons. That’s me. You can hear it all in the songs – struggling with demons and still coming out on top of it all. That’s what funk is! You got some heavy, dark shit, but you also got some joyful compositions, funky basslines, dope harmonies, infectious hooks. So that’s me on the cover, the Electric Cowboy, slaying anything that comes in my path. I gotta keep riding, keep trucking, keep fighting, keep pushing.”

Priscilla Block draws listeners in with her unfiltered, relatable songwriting and catchy melodies. "I love writing about real-life experiences and the ups and downs that I've gone through," Priscilla says. "I don't sugarcoat anything, and I think that's the beauty of songwriting and being an artist. It's a little sass, a little trash and a little sad," she describes with a knowing wink as her catalog rolls easily from heartbreak to laughter. Features the Country radio hit, "Just About Over You."

Berlin's most important rock band Kadavar collude with US prog rock wunderkinder Elder, and decided to drown in sound together. What surfaced is "A Story of Darkness & Light", a marvel of musical liberty, a gushing opus between rock, prog and alternative, held together by the two bands' contrasts. Tiger Bartelt, Lupus Lindemann, and Simon Bouteloup of Kadavar as well as Michael Risberg, Nick DiSalvo, and Georg Edert of Elder (minus bassist Jack Donovan who wasn't allowed to travel from the US) extract an arcane and fleeting magic from the primordial broth of rock, the kind of magic that can only work when everything is in fluid. When nothing is disturbing the creative process, when there is no external or internal pressure whatsoever. Never before did the music of these bands breathe in such a way. Never before did they sound as versatile, as surprising and as peculiar as they do here.

The Cutthroat Brothers, along with punk legend Mike Watt (Minutemen, Firehose, The Stooges) are back in road sharpened form. Jason Cutthroat's grinding, straight razor slide guitar and Donny Paycheck's (ex Zeke) pummeling, heavy-as-hell drums beat down on you in a blues punk soaked fever. Mike Watt provides the blood-like glue that brings the monster's heart to life. Jack Endino (Nirvana, Soundgarden, Mudhoney) produces and mixes in his 5th collaboration with The Cutthroat Brothers, shaping 'Devil in Berlin' to a razor sharp edge fit to shave Satan himself.

Bobby Weir & Wolf Bros—consisting of Bobby Weir, Don Was, Jay Lane and Jeff Chimenti—are set to release their first ever vinyl collection of recorded material. Bobby Weir & Wolf Bros: Live In Colorado is out February 18 on Third Man Records—their debut with the label. Bobby Weir & Wolf Bros: Live In Colorado features a collection of songs recorded at the band’s live performances at the historic Red Rocks Amphitheater in Morrison, Colorado and the Gerald R. Ford Amphitheater in Vail, Colorado on June 8, 9, 11, 12, 2021. These shows were the group’s first live audience concerts in over a year and featured Greg Leisz on pedal steel, along with The Wolfpack: Alex Kelly, Brian Switzer, Adam Theis, Mads Tolling and Sheldon Brown. “Been too long,” Weir said of the performances, “but I can’t think of a better place to pick it back up…”

"Two of the acts boldly leading Texas music into the future have now delivered a second chapter of their groundbreaking collaboration, further extending the region’s sonic possibilities. Singer/songwriter Leon Bridges, from Ft. Worth, and trailblazing Houston trio Khruangbin have joined forces for the Texas Moon EP, a follow-up to 2020’s acclaimed Texas Sun project. While the five new songs are clearly a continuation of the first EP, they also have an identity all their own—Bridges calls it “more introspective,” while Khruangbin bassist Laura Lee says it “feels more night time.” When Texas Sun was released, AllMusic called the results “intoxicating” and Paste noted that “their talents and character go together so well.” Now comes the next stage—a set of songs that touch on themes like love, faith, and death while exploring new dimensions of inventive, hypnotic grooves. Significantly, both parties’ musical directions were clearly affected by their time working together. Khruangbin’s most recent album, Mordechai, moved their own vocals much further forward, a change they readily admit was a direct result of working with Bridges. Meanwhile, since these recordings began, in addition to his genre-defying album Gold-Digger’s Sound, Bridges has put out several other challenging, shared tracks, including work with John Mayer, Lucky Daye, and Jazmine Sullivan. Texas Moon represents a genuine and rare achievement, with two of the most respected and innovative acts of their generation truly collaborating to create something new. “As far as an essentially instrumental band, these guys are kind of the top for me,” says Bridges. “I’m honored to have been the first singer that they’ve incorporated in their music.” “It feels really special to me,” says Lee. “It’s not Khruangbin, it’s not Leon, it’s this world we created together."

Motown: A Symphony Of Soul features some of Motown's best known and loved singles now reimagined with new orchestration by the Royal Philharmonic Orchestra. Also included are some beautiful new guest vocalist versions that sit alongside the original vocals laid down over 50 years ago. Beverley Knight joins Marvin Gaye on the seminal "Abraham, Martin & John" and Mica Paris joins Jimmy Ruffin on "What Becomes Of The Broken Hearted."